Showing posts with label Tom Ford. Show all posts
Showing posts with label Tom Ford. Show all posts

Victoria Beckham Spring Summer 2013 Review



Victoria Beckham is out to prove she can design and run a successful brand. She’s doing that by presenting immaculately tailored clothes and this season is no exception. For spring Beckham introduced separates with silk shirts that were giving me 90’s Tom Ford Gucci flashbacks. Things started out causally with a series of loose fitting blouse/shirt/pant combos then moved on to more structured territory with sharply layered skirts and a beautifully cut boyfriend jacket in vermilion that skimmed the thigh. Beckham then showed her signature body hugging dresses, this time with sexy bra straps on show. All the shoes were flats. There was a derby shoe and a gladiator style. The outer-wear touches and the graphic cut on the final dress shows Beckham is slowly becoming more confident with her design skills. In previous collections all she ever talked about was the construction of her dresses and the thoughtfulness that went in to them which on its own is something to be admired but now that she’s got those solid foundations in place she’s giving herself room to start playing with design. Overall a strong collection.  

Altuzarra Fall 2012 Review



My opinion on Joseph Altuzarra tends to waver somewhere between awful and point of interest. I've not forgotten his dubious spring 2011 show that featured tribal snakeskin appliqué nor his penchant for liberally borrowing from his design idol Tom Ford.
However with less than ten shows under his belt his latest collection is his most accomplished. He showed military coats, cargo pants, French-style skirts and jackets, along with trimmings such as coins and pom-poms. It all sounds like a lot to juggle into one collection but there was restraint and a sense of reality to most of the pieces. He delved-rather unsuccessfully-back into velvet with a pair of flared trousers and a bottle green jacket that somehow managed to add about 20kg to the model thanks to the way it was cut to pull away from the body. Though I enjoyed most of this collection I still got whiffs of other designers work, most notably Nicolas Ghesquiere's fall 2007 collection for Balenciaga.

Tom Ford SS 2012 Review



I’ve been looking at Ford’s latest collection for spring 2012 and I’m struggling to come up with a conclusion about it. It’s difficult because Ford’s positioning of his brand is unusual and confusing. On a retail level the Tom Ford brand is just like all the other luxury brands with advertising in magazines, stores in major capital cities and entry-level luxury items such as fragrance and sunglasses (I say entry-level but $500 for sunglasses is hardly a discreet purchase). But on a fashion level it’s confusing. Ford is yet to present a typical runway show with press, photographers, critics, journalists etc, just like all other brands normally do at fashion week. Instead Ford has held intimate presentations to a hand-full of tippy top fashion people with no photography allowed. Several months later Ford releases a look book to the public. His spring show look book was just published on Vogue.com, two months after the spring shows. When he did this whole secret show thing for his debut he definitely created buzz. It was exciting to read reviews by critics and frustrating not being able to see any of the clothes. But three seasons in and for me the thrill has worn off.
Once fashion month is over I feel exhausted by all the collections I’ve seen because there are way too many people showing at fashion week so when Ford’s collection pops up on Vogue.com I’m a little underwhelmed by it all. It’s weird, it’s like Ford is more than happy for me to buy one of his Private Blend fragrances and porn star aviators but the clothes are to be kept away from me which makes me feel like a peasant (which I totally am). He’s treading two luxury environments and getting mixed results. It’s masstige and super-exclusive fashion. At fashion week you’ve got a media circus all seeing the same shows and from that you get these runaway ‘it’ items that can get huge press coverage or brand buzz such as those YSL pumps with the gold armour plates. Ford isn’t getting that.
 Ford’s spring collection is a reminder of what Tom Ford did well 10 years ago at Gucci and YSL which doesn’t bode well because it makes him look out of touch. He has said himself that he isn’t following trends which is evident in the off-trend peasant tops and bow-ankled sandals. There was too much going on with many looks that were teeming with tassels, fringing, ruching, ruffles, bows, and gold hardware. This detail explosion is tiring as your eyes have nowhere to rest. Overall it was too fussy and too flashy. There were still elements there that make me like Tom Ford’s work but if you’re looking for trends and direction you won’t find it here.

Altuzarra spring summer 2012





From the opening look, a short, black leather dress with a sliced detail exposed the skin, Altuzarra had sex on the brain. The swoop of fringe covering part of the model’s faces and the pointy mid-heel stilettos were reminiscent of Tom Ford’s debut at YSL. Perforated leather tops added to the sports trend emerging from New York and after last summer’s excessive and unfavourable use of white I’m surprised to see designers-Altuzarra included- turning out more white looks. That’s racist!

So what worked? The dresses with a flounce hem and slits exposing a brightly coloured jungle print. The print appeared on a tailored jacket and in panels on a dress. The mid riff has to make a comeback. His knit version was a 90’s wet dream and I think I could pull this look off. With Spanx. The nylon belts with plastic sports clips were cool but managed to even make the models look thick in the waist which is ironic considering sport and obesity are like chalk and cheese. You know when you see a chunky person wearing Nike Shox and you’re thinking the only thing you’d run for is dollar day at 7-11 bitch. It’s like that. Speaking of chunky, I loved the bold knit jumpers in yellow and green but the rasta knit dresses missed the mark.

Some of the jackets appeared to suffer from fit issues. I don’t know if this was intentional but they looked heavy and lumpy. And the less said about those squidgy clay vests the better. No one wants to look like they fashioned their clothes from Fimo. The skirts that accompanied the Fimo vests were sexy and plenty of girls will want them. By girls I mean Carine Roitfeld. Because of these fit issues, Altuzarra’s collections have a janky quality to them. He borders so close to vulgar that it’s easy to see why people such as Carine Roitfeld love his clothes. I don’t mean that as an insult to Altuzarra or Roitfeld. It is what it is and bad taste can be fun right Christie?

Lisa Luder, associate fashion editor for Vogue magazine

Tom Ford Is 50


Happy birthday sugar tits

Money must be tight in the Ford household


I have a feeling Mr Ford never approved this ad for Dale Wurfel. 

Her Royal Highness Is Back



Tom Ford is back but did he ever really go away? Within one year of parting ways with the Gucci Group, Ford had already inked a cosmetics deal with Estee Lauder and an eyewear license with Marcolin Group. Less than a year after that Ford announced he would be producing menswear and opening a flagship store on Madison Avenue. Then there was fragrance, the film and now here we are with the ultimate: womenswear. Ford hasn’t strayed from the limelight and has said he “missed having that voice in popular culture”.
Ford showed his first womenswear collection at the Madison Avenue flagship to a select group of journalists and no photographers were allowed in except for Terry Richardson.
The first images from the collection appeared two months later. This was done because Ford feels the public see the collections too soon and by the time they hit the stores they’re over it. He said "I don't think it ultimately serves the customer, which is the whole point of my business-not to serve journalists or the fashion system.” Lol, that’s such a lie. By cutting out the blogs, the tweets, the tumblrs, Ford won over the invited journalists. Not because it was a knockout collection but because he made them feel special again. Cathy Horyn of The New York Times called it “extraordinary”. Suzy Menkes of IHT said it was a “heroic return to fashion”. Now, I liked what I saw of the collection but extraordinary? Heroic? Okay.
It’s no secret that most journalists dislike bloggers and hate having to make room for them at fashion week. Tavi’s pink feather bow hat furore sums up the general attitude towards new media.

As for the clothes it looks exactly like he picked up where he left off way back in 2004. Flared trouser suits, big hair, disco glamour, unbuttoned shirts. Ford said it won’t be too trend-driven like Gucci which I think is nice you know. He can relax a little more with that type of direction and not feel like he has to wildly jump through a new set of hoops every six months. This could well serve to make the clothes more special and less throw away if they have longevity. So yeah, it was a nice collection. It was sexy, less sleazy, straight-forward, easy to understand clothes.

The only thing that kinda grates me is that apparently he prefers to be called Mr Ford. What is this, an episode of Mad Men? You’re not an old world couturier ripping sleeves off jackets because they don’t sit right. You’re from Texas. But that’s the image he’s creating, a throw-back to what fashion used to be like with salon-style presentations, ‘private blend’ fragrances (which totes sounds like a top shelf instant coffee from the supermarket) and the illusion of exclusivity. All of which he’s remarkably adept at doing.

It will be interesting to see how he fits back in with the fashion industry. I feel like Marc Jacobs stepped in as his equally talented but much less hot replacement as the tippy-top American designer fashion darling.

Tom Ford is Coming


I lol’d when I realised ‘Tom Ford is Coming’ is kind of dirty. The thought of Tom Ford coming grosses me out despite his dashing good looks. I just imagine him slathering his body in private blend patchouli oil and thinking it’s really hot.
Bizarre sexual fantasies aside, Tom Ford will be showing his first womenswear collection since, what, YSL Fall 2004? He will be showing at New York Fashion week on September 12 but there will be no runway show, just a trunk show at his Madison Ave store which is disappointing. I wonder if an understated show will mean understated clothes. Financially smart but still major sads.
So I did a bit of web foraging to see names of designers he's getting on board with and it's looking pretty amaze.

Michael Lewis is doing shoes.

Alessandra Facchinetti- I think she recently denied any involvement.

Ready to wear designer Caroline Tixier from Givenchy, and accessories designer Pablo Coppola from Alexander McQueen.
According to sources close to the designer, the collection is ultra luxury sexy and glamourous. No shit.

Below is a reminder of that ultra sexy and glamourous look he did so well...

Madonna. Like, what the actual fuck is up with the hair?

Sexy Gucci. God I used to love this shit. Those kitten heels are so coming back.






ALTUZARRA

The fall collection from Joseph Altuzarra, the young 25 year old Frenchman, cannilly appeared ghost-designed by Tom Ford. At first I thought maybe I was just being a snide jealous pig because the clothes are amazing but then I did a little research and it turns out Mr Ford is one of Altuzarra's idols. When I saw the first 3 looks I instantly thought of Carine Roitfeld, all pencil skirts and shaggy black goat hair jackets.
Above: Altuzarra, Below: Gucci fall 01
It was almost like a best-of Ford. There were influences from the Gucci goth fall 02 show, the shaggy goat hair from Gucci fall 2002, the belted jacket from fall 2004, even with a turned up collar too. The Ford signature velvet pantsuit and even the strappy pointy heels.
Above: Altuzarra. Below: Gucci Fall 04, Ford's signature velvet
Above: Altuzarra belted jacket. Below: Gucci belted jacket, Fall 03
Altuzarra has so much talent and it's too soon to be paying homage to Ford, plus he doesn't need to. His stellar spring collection had editors and buyers drooling for his Swiss dot lace confections.

Looking Back: YSL in the Noughties

Continuing my noughties decade recap I now bring you most of the last ten years of YSL ad campaigns. From Tom Fords commercially successful and typically sexy shoots through to Stefano Pilati's demure angle that is more in sync with the YSL spirit.

Above: Kim Peers models Ford's Spring 2001 debut. I always wanted that cigarette holder.

Above & below: Fall 2001, a hugely influential collection inspired by YSL's original 1976 gypsy collection but done mostly in black. The tooled leather belt, shoes, ruffled top and fringed scarf were all widely copied, re-booting boho chic and somehow managing to get Sienna Miller it-girl status. I also recall Mariah Carey sporting the laced ruffled top above.

Below: Spring 2002. I could be wrong but I'm sure this collection spawned the Mombasa bag. Comment if you know.


Above & below: Fall 2003, one of my favourite Ford collections and ad campaigns shot by Craig McDean. It's very Guy Bourdain


Below: Spring 2004, big hair, don't care

Below: Spring 2003, Christy Turlington pictured with the Nadja rose bag

Below: Fall 2004, Ford's final collection for YSL. The ads featured the stunning Gemma Ward. The collection was influenced by YSL's 1977 Chinese collection and jackets were featured with the pagoda shoulder. This was Ford's final collection for the house.

Below: Karen Elson gets all hot n bothered over Stefano Pilati's debut for YSL Spring/Summer 2005. Though the collection didn't get rave reviews it did spawn the trend for tulip shaped dresses, skirts and coats.


Below: The Muse bag, I'm not sure what year this is.

Below: Fall 2005, featuring Daria Werbowy. This collection kicked off the trend for platform shoes which have been a fashion staple ever since and if Alexander McQueen's Spring 2010 show is anything to go by, well the trend still has legs (I'm sorry I had to).

Below: Gisele shot by Inez & Vinoodh.
Below: Naomi Campbell in harem-esque pants

Below: Kate Moss shows the world a little coke habit will get you a long way. Pictured with the Muse 2 bag. After being filmed doing coke Kate was immediately dumped by Chanel & Burberry and quickly picked up by a slew of companies. I'm pretty sure I have a Vogue from this year where she was on like the first 20 pages, it was ridic.
Finally, Christy Turlington pops up again, this time for Fall 09 carrying the Roady bag

YVES SAINT LAURENT SPRING 2010

Yet another Paris collection that opened with an all-white look. At YSL it was a trouser suit with a belted peasant jacket. It may have felt right for Stefano Pilati to do the classic YSL peasant look but it felt a bit obvious and a little tired considering it was such a lauded collection when YSL did it in 1976 and again by Tom Ford in Fall 2001. Colours ranged from the aforementioned white, black, grey, blue, red, tan and the most bizarre use of printed strawberries on a dress. If it was a YSL reference then it was obscure.
The collection felt very disjointed and looked like he was referencing his earlier work, particularly the colours from his debut Spring collection in 2004. A loose-fitting white top paired with a raspberry skirt looked more Marni than Laurent.
As a runway show it didn’t impress which hopefully doesn’t spell trouble considering YSL hadn't turned a profit until 2008. As stand-alone looks and pieces in a store they’ll have great appeal, such as the high-waisted leather skirt and the strappy shoes.












YSL Fall 1976



YSL Fall 2001