so babes. I like to use it when I’m feeling like a trash bag so if you compare the frequency of it’s use
to how trashy I’m feeling then I must be pure trash baggery 90% of the time.
The spring 2012 shows are soon and I’m excited. In the lead up it’s quite a good time to log on to Style.com or Vogue and look over the winter collections but I feel like I’ve been seeing them for months now. Like the Prada collection which I’m soooo over. If I have to see another shaggy plastic fish scale coat I’ll just.. I don’t know. I’ll probably just cross my arms and make a displeased hrmph sound. I didn’t hate that collection but Prada always get so much magazine coverage that the clothes become grating. And those stupid fucking hats. Infuriating. I dunno, that collection is everywhere at the moment and it doesn't deserve the coverage it’s getting unlike their last spring show which was amazeballs.
Here's my round up of what I'm looking out for at this seasons shows...
Balmain-Olivier Rousteing
Since Christophe Decarnin left the house due to health reasons Olivier Rousteing is now the head designer. I’d like to think that he’ll forge a new direction for the house but I don’t think it’s gonna happen. I mean, where will Emanuelle Alt get her pants from? Certainly not Balenciaga.
Left: Olivier Rousteing. Hnnng. Right: Carine Roitfeld and Emmanuelle Alt in zebra print Balmain skinnys.
Sophmore Mugler show
As head creative director, Nicola Formichetti admitted he’s not a designer but I have a feeling he believes this gives him an edge and a freedom that trained designers don’t have. There’s no doubt that he’s talented and perhaps he’ll bring Mugler to a new, much younger audience (with a little help from Lady Gaga of course) but what he's doing isn't fashion, nor does it have to be. Mugler is a different animal now and is more of a product than it used to be under the creative direction of Thierry Mugler. Instead of feathered dresses and motorcycle bodices it’s mesh tops and mint flares (which I’ve commented on before. Le meow). Sure I think the new direction is disappointing but at the same time what the house stood for is mostly forgotten and most consumers have little knowledge of what Mugler was like (except for people I guess who went to fashion shows in the 80’s. How amazing right?).
Chloé-ClareWaight-Keller
So Chloé threw out Hannah Macgibbon after a few seasons and brought in Clare Waight-Keller. CWK was at Pringle of Scotland which is a nice enough label but Chloé has a cool factor that Pringle doesn’t so presumably CWK jumped at the opportunity. I’m guessing Chloé CEO Geoffroy de la Bourdonnaye wants to bring the brand back into the fold because it’s slipped since Phoebe Philo’s departure. Though Macgibbon produced some great stuff it never reached the realms of say, the Paddington bag or the knockout dresses Philo designed.
What's with these black and white studio portraits of designers?
Dior-Bill Gaytten.
More fun? More clowns? After Gaytten’s Miami movement train wreck I don’t know where it’s going to go. I’m kind of hoping for more train wreckage because it’s highly entertaining. And it throws into sharp relief how talented Galliano is and what he was capable of doing (even when he was apparently high and drunk).
Galliano always talked about how the couture shows informed the ready to wear collections. Certain shapes or colours would spill over from couture to ready to wear. I always got the impression that he used this as a defense for couture. Something to ensure its relevancy. I wonder if Gaytten will do the same.
Tootle. Exactly as I remember it
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